This 2002 release is one of the only recordings I know of that showcases the musicianship of the late Kora musician, Keba Bobo Cissoko with his ensemble, Tamalalou. Keba came to New York City in 1996 from Guinee Conakry. Born in 1962 in Guinea Bissau, the home of kora roots, Keba learned the traditional art of the jali (also jeli, or griot). This rare recording captures his music and spirt. He was was a mainstay of New York's vibrant Mande music scene, and is very much missed by all who knew him, both there and back home in West Africa.
New music drawn from Wolof, Mandingo, Bobo and Bambara traditions
This fun 1996 recording seamlessly blends jazz with Manding music, blurring the edges of world music. Recorded in Bamako, Mali, 'Singa' captures the interaction and imagination of West Africa's finest creative musicians. There is something intrinsic that all eight tracks on this recording have captured, an etheric quality that all good music shares. - recommended!!
Sekou Bembeya Diabaté--a.k.a. Diamond Fingers, recorded in 70's for the famous West African Syliphone label. The sonic quality of these and other early recordings did not reflect the artistry of this Manding guitar master. With the release of Guitar Fö we are treated to 48 minute CD that does justice to the grandfather of 'Manding Swing' guitar music!
This legend of West African guitar was lead guitarist and co-founder of Guinea, Conakry's famous Bembeya Jazz. Diabaté and his band brought the Latin flavored Manding swing music onto the dance-floors and airwaves, (on shortwave via Africa N°1 ) of West Africa. But soon their music was being played on VOA (Voice of America), Radio France, and BBC as well! When Guinea's dance bands went into decline in the 1980s, Diabaté began to work as a soloist. Guitar Fö presents Sekou Bembeya Diabaté's interpretations of his solo guitar favorites, along with some classics from Bembeya Jazz. If you listen closely you can hear phrases reminiscent of the kora and balophone.
For more information on with Sekou Bembeya Diabaté & Bembeya Jazz, check out this 2002 Afro Pop interview.
He has been called the "bibliothèque de la musique Africaine" (library of African music) by younger African musicians, multi-instrumentalist Kélétigui Diabaté is the unsung hero of West African music. Kélétigui was first balafon player to use two balaphones tuned a 'half step apart' to facilitate playing jazz! In his home in Bamako, hangs picture of his hero, the legendary vibraphonist, Lionel Hampton. Additionally Kélétigui plays violin, sax and guitar. He was recruited to establish the First National Orchestra in Guinea, playing electric guitar in his own distinctive left-handed style. Students from his band became founding members of the Super Rail Band, while Diabaté joined the highly influential Ambassadors, with whom he recorded and toured. He is the kingpin of Bamako recording scene, he has appeared on several of Toumani's CD, most notably (and still in print) is Djelika. In 1998, Kélétigui joined forces with Habib Koité. With Habib, he played local bars in his home town, Bamako and toured the world where he finally gained worldwide recognition for his talents. On Sandiya, Diabaté is joined by the best of the best of Malian musical artists, notably, Toumani Diabaté, Djelimady Tounkara and Habib Koité.
Sabolan is the antithesis of 99% of kora recordings out there. Lead singer Ba Cissoko lays down the grove with his kora while his brother Sekou Kouyaté puts his kora through electronics, creating screaming lead riffs. This family band comprised of four young Guineans living in France, features two rocking kora players with a groove heavy bass player (and bolon, backing vocals) and one smoking percussionist playing calabash, tama (talking drum) and djembe. This debut release effortlessly blends reggae, rock, smooth jazz, electronia with Manding music. Sabolan contains 13 tracks that capture the bands great groves, fast paced & furious and music.
Over 58 minutes of music for the adventurous listener awaits …
"Sabolan is, in my humble estimation, an awesome disc." Chet C.
"The Ba Cissoko quartet is one of those rare groups adored by their entire country. Young people love them for their tradition-breaking approach to the kora, and old people love them for continuing the art of that instrument, rather than indulging in rap or other such frivolities" -- Katharina Lobeck, Songlines.
Electric Griotland captures the new generation Guinean sound, with its hip hop infused high energy music. While Ba Cissoko locks down the groove on his acoustic traditional kora, Sekou's plays Hendrix inspired leads that take flight over the ensemble which includes a third kora played by Sekou's brother Kourou and Ibrahim Bah on the djembe/congas.
Very Latin and polished is the sound of Séno, the third release by Guineé kora band, Ba Cissoko. The addition of acoustic guitar played by Abdoulaye Kouyate, takes this recording to a new plateau. No reference to hip hop, real music played a polished musicians, Séno is a winner!
Malian kora artist Mamadou Diabate, has high prase for Ba Cissoko, latest recording. He loves Séno, a lot :)-
DVD now available, interviews, performances and more!
In January 2003, a diverse group of world-famous musicians (and adventurous music lovers) trekked deep in the Sahara Desert to perform and attend the third-annual Festival in the Desert. A unique celebration of the music and culture of the Tuareg people, the festival also welcomes artists from other parts of Mali, Africa and the world to one of the most remote music festivals on the globe. This live recording of performances from the three-day event includes tracks by Ali Farka Touré, Oumou Sangaré, Lo'Jo, Tinariwen and Robert Plant. The Led Zeppelin singer performs "Win My Train Fare Home" with guitarist and World Village recording artist Justin Adams, who tours and records with Plant. The festival and its amazing music have already been featured on NPR's All Things Considered, Rolling Stone and many major US newspapers.
Give a listen to the BBC's Andy Kershaw as he treks across Mali to the festival site and back to Bamako. Program one highlights: at 31 minutes in to the program Robert Plant does a performance of 'Whole lot of love', desert style Program two highlights: live recording of Toumani's new band, live in Bamako -- near the end of the show. enjoy!
Read more about the Festival in the Desert.
"a dazzling CD" - The Independent
"The best live album I've ever heard." - Charlie Gillett, BBC Radio
"It is one of the few honest things I have been a part of in a long, long time." - Robert Plant, Rolling Stone
"It was an extraordinary experience... I felt, this was the music I'd been looking for all my life. All you've got to do is listen to the CD...and you're there." - Robert Plant (The Independent)
Kasse Mady is one of West Africas greatest voices and one of the most cherished singers in Mali, known for his profound knowledge of Malis deepest oral and musical traditions, for his ability to adapt these traditions into a modern context, and last but not least, for the sheer beauty and ethereal quality of his tenor voice.
Kassi Kasse features a light acoustic setting for this vocal king of the Manding deli tradition. There is touch of a Latin flavor and free floating flute adds a little jazz vibe. Light and lyrical
Kela Tradition In spite of its modern production value, Kasse Mady's voice resonates with a deep powerful peformance. Folkloric elements like ngoni, and balaphone balance out the electric guitar and keyboards (used sparingly).
Mandekalou translates to the plural of "Manding people". This 2004 studio digital recording produced in Bamako, Mali by the legendary West African music producer, Ibrahima Sylla is a "who's who's" in the world of dejli vocalists. Featured on this hour long disc are Kasse Mady Diabate, Kandia Kouyate, and Sekouba 'Bambino' Diabate accompanied by the "crème da la crème" of Manding musicians (Djelimady Tounkara and Kémo Kouyaté plus many, many more) contributing some amazing playing (ngoni, guitar, kora, balophone). This recording is about Manding vocal art. The musical backdrop is a rich tapestry strings and percussion, the kora is definitely there, you just have to listen for it!
Imagine Soukous music with its rich three part vocal harmonies, but instead of guitars backing the singers African thumb pianos (likembés) provided the accompaniment. This remarkable recording will surprise you. There is surprisingly decent bass on this recording, being produced by the likembés. A great gift or addition to any world music collection.
"Antoine Moundanda sings in a rough, beefy tenor reminiscent of Congo music legend Franco in his prime. Moundanda's music also has the grand swing of Franco's rumba orchestra, TPOK Jazz. The difference is that Moundanda is not leading a modern orchestra full of guitars, drums, horns and singer, but rather a small trio consisting only of large traditional thumb pianos, likembés. The literature about Congo music contains intriguing speculation about the influence of likembés or sanza traditions on development of modern Congo music, especially the guitar parts. This remarkable, pumping live set from the MASA festival in Abidjan in 1997 puts some meat on the bones of that argument." -- Banning Eyre
At nearly 70, Antoine Moundanda is one of the prominent figures of African music and in particular of the Congolese scene… Singer and composer, he plays the Kisansi, better known as the Sanza (traditional instrument composed of metal slats fixed on a hollow wooden chamber). As early as 1955 an international career opened up for Antoine Moundanda. He travelled to the four corners of the Earth, with his Sanza in his hand, now solo then with other artists. A perfectionist, resolutely modern, he has given a new dimension to this traditional instrument by taking it from 9 to 22 blades. An exceptional singer, an inspired composer, Antoine Moundanda is one of the creators of Rumba, one of the founding fathers of all modern Zairo-Congolese music. For the full review visit Afropop Worldwide
A killer recording North African Malian string music. 'Djelimusso' showcases fiery acoustic guitar and ngoni opposite the smooth female vocals of Mah Damba. A truly outstanding acoustic recording of modern Malian music. Ali Farka Touré fans will love this CD! Recording quality "A+"
Released in 2002 from the grandest of all Mali's grand jelimoussow, (female griot singers) Kandia Kouyaté presents her 2002 release, Biriko. This CD with its basic tracks recorded with a core set of excellent griot instrumentalists including guitarist and arranger Ousmane Kouyaté and guest guitarist Djelimady Tounkara (Super Rail Band). Songs like "Sanougnaoule" and "M'Bensara" deliver the rich, swimming melodicism of classic Manding praise song, an art form at which this singer is simply unbeatable.
"Mali Chants et musiques de griots" is one CD one will want to add to your world music archive. Don't be misled by the cheap cover art, this trio's recording of the traditional Manding music is rich and dymanic. Mangala's deep bluesy voice blends well with Sissokho's and Kouyate's fast articulate playing. Included is one solo track of Kamalen N'Goni (pentatonic hunter's harp used in Wassoulou music). Mangala Camara is well known singer in his home, Bamko Mali and is starting to establish himself over in Europe.
"I've been particularly enamored lately by Mali Chants. The clarity and precision, virtuosity and heart that goes into that music just blows me away." Ryan R.
Sissokho & Kouyaté portray the traditional Manding music via their wonderful performaxnce, rich with spirit, understated sophistication and highly articulate rhythmic syncopations. If you like Malian style kora music, you're going to fall in love with this recording for sure.
This recent CD features Yakhouba Sissokho, peforming the traditional Gambian branch of the Manding kora repertoire. A light and spirited performance is captured on this recording not to be missed
Yakhouba Sissokho lineage is from the to Sissokho family of Manding griots. So Sissokho is not only an accomplished kora musician but a knowledgeable storyteller and historian as well. Accompanied by the sweet sounds of the of his the kora, he recounts the history of his people, from the great heroes of the past to the dignitaries of the present day.
"Sénégal" is the perfect recording for some one who is just getting started with the kora. Featuring two long tracks of traditional Manding kora music. This CD starts with a 20 minute solo performance by Dejli Keba Kouate followed by a 31 minute kora duet performed by Fodé Drame and Bana Sissoko. This is a very clear recording with out vocals, making it perfect for learning kora music. It also makes for great background music.
Divas is a compilation of Manding and Wassoulou music featuring rare tracks from the out of print Sidiki Diabate Ensemble record "Ba Togoma." Southern Mali is the birth place for Wassoulou music which is rooted in hunters music. This disc has a total playing time of 72 minutes and ends with four tracks of Wassoulou music, featuring tracks drawn from early recordings of female vocalists Sali Sidibe and Oumou Sangare. The "Ba Togoma" tracks are quite sublime and make this compilation a welcome addition to any world music collection.
This West African singer song writer has a long history that dates back to 70s when he played guitar in Salif Keita's original band, Les Ambassadeurs. Manfila's music is pure Manding folk. In this recording we are treated to Kante's smooth vocals accompanied by his acoustic guitar playing. Blended with this folky style is kora, balophone and female vocals, very sweet!
Miriam was born in Johannesburg. As a young girl of thirteen, she entered a talent show at a missionary school and walked off with the first prize. Later when Miriam received invitations to travel to Europe and America, her singing came to the attention of Harry Belafonte and Steve Allen. 1959 saw her becoming the first South African to win a Grammy award for the album 'An Evening with Harry Belafonte & Miriam Makeba'.
In 1967, she wrote the song, "Pata Pata" was released in the United States and became a hit worldwide. After that Miriam moved back to Africa, this time to Guinea where she continued to record songs and toured intensively. Miriam was well respected by the government of Guinea and was asked to address the United Nations General Assembly as a Guinean delegate. She twice addressed the General Assembly, speaking out against the evils of apartheid.
These recordings from the archives Syllart Productions, were made during the time she lived in Guinea. On 'The Guinea Years' crosses cultural borders Miriam singing in nine languages. 'Cause Africa is always in focus of Miriam Makeba's soul. There two songs sung in Arabic. One of these tracks, "Africa", Miriam is backed by a string orchestra. This CD include four tracks recorded live at Palais du Peuple in Conakry. If your fan of 'Zap Mama' you will enjoy this CD!
Don't be deceived by the CD cover photo which was taken at some music festival. This CD features classical Guineé vocals backed by traditional acoustic Manding troupe playing all the instruments. Featured are the lovely voices of the Sisters Diabaté, Mamam, Sayon and Sona. One cool thing about this disc, is the bolon, (3-string bass) is way up front in the mix. I did not hear any balo trios happening as the cover might suggest, but I did hear great ensemble performances. Definitely worth a listen, recommended!
Les soeurs diabaté is a vocal trio with Mamam, Sayon and Sona Diabaté. On Donkili Diarabi their sweet vocals are backed by balophone, bolon, guitar.
Séche means dry in French, in this case 'guitar dry' or acoustic. This recordings showcases acoustic performances by the great Guinea guitarist Djessou Mory Kanté. A must for African guitar enthusiasts.
From the Congo, Central Africa, Soukous king Franco's 'et le tout puissant' CD features smoking electric guitars and conga (with full band -- no keyboards) This 1989 release from France Sonodisc features Franco's famous "Mario" and includes the riveting "La Vie des Hommes." Both of these story-songs are sung by Franco and Madilu. A great CD for your next dance party!
Music from Madagascar
Tinariwen, The Radio Tisdas Sessions
Just released at the turn of 2002, Tinariwen is a band of nomads with electric guitars. This Touareg band from Northern Mali's Dogan country presents music reminiscent of Ali Farke Touré. The characteristic distorted guitar via the requisite Roland Jazz Chours amp is enveloped by dark background vocals. The hand percussion with the calabash give the music a life pulse which moves the music forward makeup conjuring up the mystic of the desert.
History behind Tinariwen: "The Kel Tamashek, as the Touareg refer to themselves, fiercely resisted the French and the Malian government. The Tinariwen sound emerged when members were in exile in Libya listening to Bob Marley and John Lennon. They decided to apply their traditional music to the electric guitar and became the musical mouthpiece of the Touareg independence movement."
Produced by French world music group Lo'Jo and guitarist Justin Adams (of Jah Wobble & Sinead O' Connor fame).
"The Radio Tisdas Sessions’ has no bluster in it. The songs sound weathered and deliberate, with somber riffs picked on electric guitars and vocals that sound weary but undaunted." - Jon Pareles, New York Times
More of the wonderful North African Tuareg desert music. Has a decided Arabic sound, more acoustic then Tinarowen. Their ballads and their compelling call-and-response songs, and the sounds of tehardent and imzad - early forms of guitar and violin - transport the listener to the sweeping expanses of the Sahara.
Imagine combining North African sensibility with a modern electric U.K. singer songwriter. This what you would end up with. Kind like a U.K. version of Ali Farka with more of a British rock edge.
Two meta-musical paths crossed when Justin Adams went to Mali. There he made the connection between the Arabic music that surrounded his youth (he lived in Jordan, Lebanon and Egypt) and the Blues, Reggae, and Rock, all with origins in Africa. Suddenly, he knew why some music swings. After years of performing with Jah Wobble, Sinead O'Connor, Natacha Atlas, Brian Eno, Peter Gabriel, Billy Bragg, and Robert Plant, Justin Adams releases his first solo album.
"Britain's answer to Ry Cooder" (The Guardian).
“After 20 years of recording music with various groups, singers and players I finally put out my own album, Desert Road. Six tracks were written and recorded at my flat in London in a two week period shortly after I had got back from an inspiring trip to Bamako, Mali. I then trawled through piles of musical sketches that I had been making over the past five years and found a series of pieces that seemed to make a coherent whole. Weird little scribbles I had made on a portastudio, never thinking anyone would hear them, now seemed in retrospect to point toward the sound I had arrived at with these new tracks. It was a sound I had in my head, with circular rhythms, like Moroccan trance, that awesome sense of abandon that you hear in the old Blues singers as well as a Cairo muezzin chanting from a minaret, and the atmosphere, mystery and sound shaping of the most trippy dub.” - Justin Adams
Please fill out the following the information so that we can process your order.
Shipping and handling to any where in North America via US Mail: One title: Add $2.50, for each additional title add $1.00. Please note all prices are in US dollars. Contact us for postage rates outside of North America
